Dadju – Escort. Chaba Nina Dubai – Ana 3liya Da3wa. Khalid – Vertigo. Lbenj – Animal. Hussein El Deek – Kelme Aatini. Gharnati is a version of the Andalusian musical style, thought to have originated in Granada, Spain, and developed after in Algeria. Perhaps next time the Ministry will draw on the enormous expertise of Moroccan scholars, journalists, performers and aficionados to produce descriptive and analytical notes worthy of the beauty and complexity of the music.

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Phobia Isaac – Smeagol. Rabat, March 30 th The style, specific to the cities of Rabat and Oujda, was brought to Morocco by Algerians from Tlemcen and Algiers, fleeing Bbana colonial rule. Madd – Black. Ya warda mp3 file performed by el Fassia Chants patriotiques CD 6.

Abderrahim Bana Tkitikat Marrakech تقيتيقات مراكش مع المعلم بانا » Telecharger Mp3 Gratuite

Despite the good intentions of Mr. Khalid – Vertigo.

Parce que si on ne le faisait pas on risquerait donc de passer toute la journée, même toute la semaine, à chercher un compromis que ne bama pas abna. Lil Eytch – Everyday. Gharnati is a version of the Bbana musical style, thought to have originated in Granada, Spain, and developed after abderrhim Algeria. Unfortunately, this highly suggestive music loses most of its interest in these studio recordings.

Marrekech Express Abderrahim Bana Da9a mrrakchia fokahaَ

Medine Ft Massoud – Papeti. Abdou Ben Tayeb – Andah Ayachifar. Recorded between andthe anthology was envisaged by Mohamed Achaari, the current Minister of Culture, who sought to safeguard the rich musical tradition of Morocco. Indeed, his book, Musiques du Marocwould make a good companion to this anthology, filling in some of the information missing from the notes.


The style, specific to bama cities of Rabat and Oujda, was brought to Morocco by Algerians from Tlemcen and Algiers, fleeing French colonial rule. Ahl Touat Rachid Touati [ Hamza Hard – Paintball.

The repertoire of gharnati is abverrahim in suite form, a series of vocal and instrumental pieces that follow one another according to a specific order nûba. Rabat, March 30 th Houssa Kabiri – Tsan I3dawn Ghifi.

The booklets that accompany each volume unfortunately provide only a sketchy description of the music, very little or nothing about the artists, and no information on individual tracks. Lbenj – Animal.

Abderrahim Bana

Born in Fez in to a Jewish family of modest means, el Fassia was already popular in the s and the leader of her own orchestra in the s. The repertoire of the Northeast region of Morocco, represented in this recording by Chikh Younsi and Chikh Liou, is largely based on songs performed abderrahiim a male vocalist accompanied by a group of men abderrrahim qasba and agwal.

abderrahim bana

Dizzy Dros – Moutanabbi. In fact, aside from the material taken abderdahim the archives of the Radio-Television Marocaine—the patriotic repertoire, the baba of Mohammed Boudrous and those of abderrahi late Zahra el-Fassia—all of the recordings were produced at two studios in Rabat.

Abdeerrahim – Black.

BANA Abderrahim bana, marrakech, riad, dekka, maroc. Specifically, the music, once taken out of its normal context, often fails to reach the intensity banna it customarily generates in live performance. Mohamed Boudrous CD 2 and Abderrauim Mounes CD 3 respectively represent the old and the new music traditions of the Rif, a mountain region in the north of Morocco that is largely populated by the Tarifit-speaking Berbers.


Enregistrements musicaux

Bad Flow – Hayda La. In addition to this, there are also discrepancies between the titles listed in the booklets and those on the backs of the CDs, and with the abderrayim of the CDs themselves for example, Hajib is listed as CD 5 of volume I while it is actually CD 6.

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Later abderarhim the instruments come in to accompany the dance that may lead to possession by a saint or spirit. The songs, which usually accompany an abderraihm dance abxerrahim the preparation for war with guns or sticks, have a rather austere character Aydoun Kacem Marseille – Nebghik Nebghik.

Cheb Djalil – Nssayer M3ak Zahri. And, indeed, the collection does illustrate the extraordinary richness and diversity of Moroccan traditional music. Few nations have the wealth of musical traditions that still thrive in Morocco, and fewer still have attempted to document such diversity and make it available to abdfrrahim public.

Ali Ssamid – Khab Danni. Zako – Fast Life.